Some Funk for ya

Well folks I’ve found a new love: playing improvised funky dance music.

Actually this isn’t so new of a love. I remember when I first got my electric guitar and would spend hours playing along to Jimi Hendrix and Stevie Ray Vaughn. This music opened me up and it’s doing it again.

We played a funk show at Fresh Thymes in Boulder this summer and I was reconnected to this joyful funky energy. Here’s some recordings from the show for your listening pleasure:

This was our improvised encore, which I think was the best tune of the night:

An original called Modulated:

Another original called The Big Dream (coming out soon):

And another original called Arbitrage (April Feels):

And finally a Herbie Hancock cover, not once but twice :)

New Release: You & Me

William Sage You and Me Album Art love songs

Hi Friends, I’m excited to drop my first album this week!: You & Me, an album about love and transformation.

This album tells the story of the disintegration and transmutation of my relationship with myself and my wife Kati over a 12 month period in 2016-2017. 

I called the album You & Me because almost all the songs deal with the feelings, trials and tribulations all of us experience in relationship: love, loss, fear, joy, struggle, communion, excitement and connection. Kati and I made the album art using my iPhone and some lights she had at home. It’s a raw vulnerable yet dignified cover for a set of songs that I feel exhibit the same.

You can listen to You & Me on Apple Music, Spotify, Soundcloud or anywhere else you get your music.

The best way to listen to the album is to put it on and play it from start to finish, since the songs on this album go in chronological order, and each one tells a chapter of the story.

If you want to know more about the story behind each song, see the links below as I wrote about each of them separately. 

I’m proud of these songs and this album. I decided early on to constrain myself to just my voice and the guitelele so the songs themselves could shine through, (and to keep it simple for me on my first release). I hope these songs speak to you. Please let me know which ones you like best. 

A huge thanks to the team that made this possible: Stef Soma at Soma Sound Studios (Bali), John McVey at Cinder Sound Studios, and David Glasser at Airshow Mastering. And thank you to Kati Bicknell, Gabe Vanaver and everyone else who supported me in this creation. 

You can of course listen to the story by listening to the album, but for those of you who want more specifics, here’s the overview of You & Me:

The story starts with You Love The Hardest, a sweet tribute to the transformational power of love and relationships. I wrote You Love The Hardest in 2016 while reflecting on how far I had come as a human and a man after being in relationship with Kati for 7 years. 

For most of that year Kati had been dating another man and we were experimenting with ethical non-monogamy. This was a massive learning experience for us both and I wrote One Whole Two Parts as a tribute to the learning I found in the experience.  

That summer and fall I also learned about Attachment Theory, and how our upbringing can determine how we behave in relationships later in life. It explained a lot about the behavior patterns I saw between Kati and I and I wrote Push & Pull as a christmas present for Kati, exploring our dynamic and committing to change it.

By the end of 2016, Kindara, the women’s health company Kati and I started together was going through a massive transition and I decided I needed a big chunk of alone time to recalibrate and process. I decided to go to Bali for 3 months. Kati was worried that I would never come back, so I wrote Forever to reassure her (written half in Boulder and finished when I arrived in Bali).  

In Bali I spent a lot of time exploring my inner reality and coming to terms with the fact that the company I had built over the last 7 years was in trouble. I wrote Absolve Me to deal with the pain and find some new hope. 

Being in Bali opened my eyes to new ways of being, thinking and feeling. I saw how spending so much time in the USA had warped my view of the world. I wrote Run Away to remind me to escape Western culture and it’s focus on commodification and consumption often.

At this point my relationship with Kati took a turn. She decided she was a love addict and went into a love addiction 12 step recovery program. She requested that we not speak for a month as she went through withdrawal. 

During that month I wrote three songs: I explored my relationship to commitment and wrote Commit To Love as a reminder that commitment holds its own special power, I wrote Same Eyes to come to terms with the fact that I had lived with Kati for 7 years and had somehow been unaware of her love addiction, and I wrote May I (Spotify, Apple Music, Soundcloud) as a mantra to sing to myself to keep building my self esteem. 

When our month of silence ended our relationship exploded. Kati decided to take space and move out. My time in Bali was winding down and as I made my way back to the US I wrote Star Shine (Down The Road) to help deal with the extreme uncertainty that I felt hanging over me and us. 

Once back in Boulder, I returned to our empty house. Kati and I started talking again and I wrote Wait For You to help me deal with the fact that my partner was in recovery and I didn’t know how it was going to turn out. 

And the last song on the album is Same Eyes Lament (Spotify, Apple Music, Soundcloud), an instrumental epilogue to the story. 

I’ll close with what I wrote in my blog post for Wait For You: 

Looking back I have a lot of compassion for myself and for Kati. We were both doing our best given the tools and experiences we had. Neither of us wanted to fight, or control the other, or get our feelings hurt. But we couldn’t see the childhood pain running us, clouding reality. 

In retrospect, it took being apart to show us what each of us were missing. It took Pia Melody’s work on love addiction and codependence to give us the map of what we were experiencing. And it took hard work for both of us to experience, befriend and transcend our pain. 

And after we did the work, when we came back together, our relationship felt more whole, because I was more whole, and Kati was more whole. 

And so this album is the story of young love’s maturation into adulthood. It’s a story of healing from childhood relational trauma, low self-esteem and unhealthy ways of relating. And it’s a story of separation that ultimately made possible a deeper union. 

Looking back, I’ve learned that to be sustainable, love can’t be selfless, and it can’t be controlling. Love has to serve all involved. And when it does, it’s light illuminates abandoned parts of ourselves, and shows us the path towards healing. As we heal, we can love harder, and help create more healing, and love harder, so on and so forth.

Love heals. And healing creates more love. Again and again.  

I’d be delighted if these stories and my experiences have helped you understand the love and relationships in your life in some new way, and maybe transform your world for the better. 

And that my friends, brings us to the end of this chapter of the story of Kati and I. You might like to know that we just celebrated 10 years together. It’s been a beautiful, challenging and transformational decade that has made me a better man.

Thanks for being on this journey with me. I love you. Please stay tuned for what’s next. 

❤️❤️❤️

Listen to You & Me on:

Soundcloud

Spotify

Apple Music

Amazon

Google Play

iHeartRadio

Deezer

Wait For You - A Song For Partners Of Those In Recovery

Listen to Wait For You on Spotify, Apple Music or Soundcloud

What do you do when your partner informs you they are addicted to relationships and are going into recovery? 

This was the situation I found myself in when I returned from Bali in 2016. Kati had moved out and I came home to an empty house. 

As I wrote about before, I was freaked out and sad. 

But I was also hopeful. I was hopeful because I knew Kati was working her way through a 12-step recovery program. The program promised to give her, and by extension us, a better, healthier way of being together (provided of course that she even wanted to be with me after she finished the program). 

What would happen after the program? Would we find a new way to be together that felt more satisfying and fun? Would she decide that she just wanted to be friends? Would she adopt Jesus Christ as her personal lord and savior? I had no idea what was going to happen. 

So even though I was angry and sad at how she moved out, I was still connected to my love for her, and I knew that the thing to do was to support her in her healing and transformation process. 

(As an aside: if you aren’t familiar with 12-step programs, they are one of the most amazing and beautiful human creations that I’ve ever come across. 12-step programs consist of volunteers giving their time to help people heal the wounds underneath addictions of all kinds. Almost always the volunteers are themselves graduates, paying forward the healing they received from their own 12-step work. It’s scaleable heart-centered-healing and it has at its core the concept of recovery - a belief that healing and growing entails finding lost parts of ourselves and becoming whole again. 12-step programs exist for almost any addiction or behavior that might disrupt a human life. It’s beautiful work and I’ve not encountered anything like it. You can check out a list of 12-step programs here.) 

So as I waited for Kati to transcend her love addiction and recover herself, I worked on Wait For You, a song about …. waiting. I sunk into this liminal period for Kati and I. The time between our old relationship ending and whatever was coming next.  And it wasn’t just Kati that was healing. The time apart helped me connect to myself in a deeper way. To comfort and console myself where before I would have looked to Kati. To keep building the healthy self-esteem I wanted.

At first we didn’t have much communication. But as Kati worked the program, we started texting, then talking, then getting together in person. In a way it was like meeting her for the first time and it was clear she was doing work on herself. She seemed different: more mature, more adventurous, more emotionally connected, more sure of herself. 

I missed living with her, but as I started to see her once or twice a week, I felt a new and deeper connection to her growing. it felt like the time apart was allowing us the opportunity to each come into ourselves more, and see the other through clearer eyes.  

Our love fell to pieces. And I can’t find the way back together
But I can see you, more clearly now
Yeah I can feel you, more clearly now
So I can love you, more clearly now
And what I want to do is love you, more clearly now

Eventually we started dating again. It was a slow process and at times I got impatient. I had to remind myself to go at Kati’s pace; the pace of her recovery. I reminded myself to be a supportive force, and help her find what she was looking for. 

I'm gonna wait for you, to get through what you've gotta get through  
It might not be today, it might not turn out my way
But I love you, so I'm not going away, 
Yeah I'm, gonna help you, through anything that you want to get through
Yeah I'm, gonna support you, all the way through. 

And eventually she came out the other end and it turned out that she did still want to be with me(! As I suspected). And I wanted to be with her. So we got back together, I moved her back in, and we noticed things felt different. 

We didn’t fight nearly as much. We were more aware of each others emotional boundaries. We started building a new way of relating based on accepting each other. It felt so much better. 

And when we did fight, because we’re human, we reminded ourselves that according to Pia Melody, recovery from codependency takes on average 3-5 years. We showed each other patience. It was nice.  

Looking back I have a lot of compassion for myself and for Kati. We were both doing our best given the tools and experiences we had. Neither of us wanted to fight, or control the other, or get our feelings hurt. But we couldn’t see the childhood pain running us, clouding reality. 

In retrospect, it took being apart to show us what each of us were missing. It took Pia Melody’s work on love addiction and codependence to give us the map of what we were experiencing. And it took hard work for both of us to experience, befriend and transcend our pain. 

And after we did the work, when we came back together, our relationship felt more whole, because I was more whole, and Kati was more whole. 

And so this album is the story of young love’s maturation into adulthood. It’s a story of healing from childhood relational trauma, low self-esteem and unhealthy ways of relating. And it’s a story of separation that ultimately made possible a deeper union. 

Looking back, I’ve learned that to be sustainable, love can’t be selfless, and it can’t be controlling. Love has to serve all involved. And when it does, it’s light illuminates abandoned parts of ourselves, and shows us the path towards healing. As we heal, we can love harder, and help empower more healing, and love harder, so on and so forth.

Love heals. And healing creates more love. Again and again. 

I’d be delighted if these stories and my experiences have helped you understand the love and relationships in your life in some new way, and maybe transform your world for the better. 

And that my friends, brings us to the end of this chapter of the story of Kati and I. You might like to know that we just celebrated 10 years together. It’s been a beautiful, challenging and transformational decade that has made me a better man.

Thanks for being on this journey with me. I love you. Please stay tuned for what’s next. 



Star Shine (Down The Road) - A Song About An Uncertain Separation

Today I’m releasing “Star Shine (Down the Road)”, a song about acceptance and destiny.  Listen to Star Shine on Spotify, Apple Music or Soundcloud.

Previously I wrote about the month Kati and I took apart in Bali: We didn’t talk or communicate for four weeks. She was going through the withdrawal step of her love addiction recovery, and I was meditating and working on self love. 

When we finally reconnected I told Kati I had written a song about our experience, and I played her Same Eyes. We both cried. It was a beautiful moment to share together after all the hard work we both had been doing. 

But shortly thereafter things went sideways. Kati’s love addiction recovery was bringing to the surface extremely painful emotions that were hard for her to deal with. 

Through a series of events and miscommunications that I won’t go into, I got a call one morning from Kati. She told me she was moving out of our house in Boulder and didn’t want to be in contact with me any more. 

The call was short. It was the day before I was to leave Bali. I called and texted Kati but couldn’t get her on the phone. As reality dawned on me, I was left in this very strange space. I had thought I was “coming home” to see Kati, but apparently not. I had just learned that she wouldn’t be there when I arrived. 

The hardest part of all this was that I didn’t know what was going on with us. Kati seemed angry but aside from the anger I didn’t really know what was going on for her.  As I made my way to the airport in Kuta my brain couldn’t help but work through worst case scenarios. 

The ultimate of these was that I would never see Kati again, that she had moved away and would change her phone number. That it was only memories for me from here on out. 

Logically that seemed unlikely, but emotionally it seemed in the realm of possibility and it chilled me to my core. 

As I traversed the globe back to the US, I sat with this uncertainty. And to keep from falling into panic or rage or despair I wrote Star Shine:

Hey down the road, I hope it’ll be you, and me together again
Hey down the road I hope I’ll see you and me together again
'Cause I can feel it now. Coming through somehow. Yeah I can feel it now, 
Your heart connected to mine. I feel your heart connected to mine. 

The beginning of the song is about the heart connection I still felt to Kati. It’s about feeling the sweetness and realness of that connection, and at the same time dealing with the remote but still terrifying possibility that I would never see her again.  

Every night I look up and wonder which star guides your way
Glimmering and twinkling things, leading you away
Drawn into the night, by a faint shimmering light. I trust you know what’s right, but
Is your star connected to mine? 

I knew Kati was going through a process, and from what she told me, she was experiencing for the first time deep and overwhelming pain that had been repressed since childhood. As she went “into the night” I trusted her process and I had to consider that maybe what was best for her was to not be with me. 

This hurt but at the same time I knew I loved her, and that meant wanting her to find the healing she was looking for, even if her future didn’t involve me. And I wanted the same thing for me - I had to consider that maybe our destiny was to be apart even if it was painful and sudden. 

And I realized that I truly didn’t know if Kati and I were destined to be together after our healing was done. 

Chase your star, follow it’s mystery, find your shine
And I’ll chase too, no I won’t chase you, you chase your star I’ll chase mine
Will our stars align? Again in this lifetime? In an unseen paradigm, 
Is your star connected to mine?  

Ultimately as I looked at the stars through an airplane window I made peace with either possibility. Either Kati and I would work it out and reconnect at some time in the future, or we wouldn’t and I would grieve and accept the pain, and wait for what was coming next.  Feeling into the latter, I was happy to see that there was a deep knowing in me telling me I was valuable and lovable and that I would love again. I took this to be a sign that the work I was doing in Bali had been successful. 

Hey down the road, I know it’ll be, you and me together again
I just can’t see which version of you and me will next begin
Beloved Mystery, which you will it be? Now that my old you is free
Stars, stars, shine.

And so Star Shine is about the winding mystery of life and love, about blind corners, unknown unknowns, and surprises. I wrote it to remind me that life is change, and that when change comes, I’m strong enough, lovable enough and valuable enough to welcome whatever is coming with open arms and an open heart, even if it hurts. 

Because I saw when something beloved dies, the mourning and burial makes room for something else to grow. 

Finally back in Boulder and still barely a word from Kati, I went into deep grieving. It felt like a 300 pound sumo wrestler was sitting on my chest 24-hours a day. It was hard to breathe, let alone do much else. 

In retrospect I’m grateful I got to experience this experience. I’ve never felt anything like it. It was definitely novel, and it was definitely painful. And it showed me a depth of feeling that I now cherish, because it forced me to take better care of myself, to be nicer to myself, to show myself deeper compassion and kindness.  

A new way of relating to myself was growing. 

And eventually Kati and I started talking. As I suspected, she was going through a deep process of transformation and needed to be alone to do it. I missed her, I was angry at her for how she left, and I knew that I would wait for her to finish whatever she was going through. 

Our future still uncertain I started writing Wait for You, the last song on this album. 

I hope you like Star Shine, especially anyone who has suffered a loss and is facing an uncertain future. From my heart to yours, 

Will


Same Eyes - A Song About Helping Our Inner Children Heal

Today I’m releasing Same Eyes, a song about our inner children and inner healing.  Listen to Same Eyes on Spotify, Apple Music or Soundcloud

Thanks to Kati, in Bali circa Feb 2017, I discovered that I was what’s known as codependent. 

This was a bombshell that rocked my world. As I read about codependency I suddenly understood how my childhood had shaped ALL my relationships in adulthood, and why my relationship with Kati often occurred to me as painful and hard. 

Here’s how it went down: Kati, back in Boulder, had discovered the work of Pia Melody and read me a few excerpts from Facing Codependence and Facing Love Addiction over Skype. Immediately I knew I had to read them as soon as possible. 

I ordered the two books on Amazon and after a hefty shipping charge and a few days spent waiting, amazingly a guy on a motor bike delivered them to my bungalow in Ubud. Yes Amazon works even in Bali.   

At this point Kati and I had been apart for weeks and Kati had started to identify as a love addict. She had entered a 12 step recovery program and shortly thereafter she requested that we not speak for a month so she could go through withdrawal. I didn’t really understand what was going on, but I wanted to support her, and honestly some time apart felt like it would be healing for me too. I agreed. 

That month turned out to be deeply healing for both of us. 

Without the support (crutch?) of my relationship I was forced to be my own man. I started to see myself in a new light. 

I saw how low self esteem had been a part of my character since I was a child, and I saw all the ways I held myself back in life in order to gain other people’s approval. 

During that month I meditated a lot. I played a lot of music. I started performing in Ubud. And I wrote Same Eyes as a lullaby to the healing process both Kati and I were going through.  

Codependence is caused by neglectful experiences in childhood. The result of these experiences is that we fall into emotionally dependent ways of being later in life. In other words codependents need their partner to be a certain way in order to feel good about themselves. It’s a recipe for harmful, confusing and painful ways of relating. 

Reading about love addiction and codependency was sweet and terrible at the same time. It opened a window into our childhood experiences, and showed me how the challenges Kati and I faced early on were still playing out in our “adult” relationship. 

I saw that when Kati and I were fighting, it was almost entirely my scared and upset little boy fighting with her scared and upset little girl. 

I saw that underneath our rational understandings of our conflicts, there were deep emotional wounds trying to be healed. It was sweet and sad at the same time. 

Coming to this realization showed me that I had been so swimming in my own hurt that I had been blind to Kati’s hurt. There were these big childhood wounds in each of us that I had completely missed in 7 years of being together.  

Yes we loved each other. We took care of each other.  We supported each other. But we had never shared our deepest pain with each other. Probably because it was too painful to come into our conscious awareness. It was like suddenly realizing the air I was breathing was heavily polluted. 

I had missed a giant piece of what it was like to be Kati, and she had missed a giant piece of what it was like to be me. We had never spoken about codependency or self esteem or love addiction or abandonment or enmeshment, all-together the pervasive and enduring aftertaste that childhood had imprinted on each of our realities. 

So as I saw more of what was really going on for us, I wrote Same Eyes, as a lullaby to our healing process. We weren’t talking that month, but I hoped that at the end of our month of silence little Will would feel more valuable and whole, and little Kati would feel more valuable and safer, and that we could all reunite and thereafter relate in a healthier way.   

Ultimately that’s exactly what happened. The first person to hear Same Eyes was Kati when we first talked after our month of silence. We both cried. 

Unbeknownst to us, things were about to get rocky and I’ll tell that story next but for now I hope you enjoy Same Eyes! 

P.S. There’s also an instrumental version here that I love to leave on repeat while meditating or working. The guitalele seems to express the sadness and hope of the healing process in a unique way. Much love. 

P.P.S. I can’t recommend Pia Melody’s books and other material highly enough. She conducts the best dissection of dysfunctional relationships that I’ve found and shows us the path forward in an extremely compelling way. If you are in a relationship that doesn’t feel good a lot of the time, Facing Codependence will likely help you find the answer. 



 


Run Away, A Warning About Western Culture In an Upbeat Jig :)

Run away. Run away. Run Away! Listen to Run Away on Spotify, Apple Music or Soundcloud.

The phrase has a pejorative connotation in Western culture. But for me in Bali in 2016 it wasn’t like that at all. 

Because being in Bali gave me a very different perspective on American Culture: what’s great about it, and what’s awful about it. 

This is the beauty of culture shock. It shocks you! And in writing this song, I was shocked into a realization that the American Dream might be a trap.

In Bali I saw clearly all the invisible forces in America that want something from me.

  • The social media and media industries want my attention. 

  • The credit card industry wants me to spend money I don’t have.

  • The cosmetic industry wants me to believe that everybody should look like a movie star.  

  • The military-industrial complex wants me to feel afraid and condone war 

  • The Democratic and Republican National Committee’s both want my vote, and want me to believe their frame on reality is the right one. 

  • The automotive industry wants me to believe I need to new car to feel alive. 

  • And on and on… 

Getting away from these forces allowed me to see them more clearly. I saw how the American dream of beauty, two new cars, a stable 9-5 job, a big house in the suburbs, loads of credit card debt, and impressive social media posts serves the interests of everybody but ME. 

In Bali I was able to focus on my version of success for myself, away from the demands made on me by american capitalism. 

In Bali I saw how lucky I am to have the opportunity to travel between continents, how insignificant my Western “problems” are, and how unconstrained and numerous are the paths to happiness and fulfillment. 

Driving from Amed in the North of Bali to Ubud in the middle of the island, I passed through villages where school children pointed at me and chased me because they had never seen a white person before. I spoke only a tiny amount of Balinese so I smiled and played Guitalele for them. 

These people seemed happy and I realized they live on only a few dollars a day. It’s a cliche at this point but these people seemed much happier and much more ALIVE than the wealthy Boulderites I’m usually surrounded by.  

The countryside was beautiful and gave me a feeling of true wealth. Lush jungle and green hills rolling down to the ocean. In one area I was introduced to Salak (a strange fruit that tastes like a pineapple mixed with an apple, with skin that looks like a snake!)

Near Candidassa I booked myself a room at the Salacca Inn - surrounded as far as the eye could see in all directions by spikey Salak fields. It was harvest season so there were buckets of the stuff everywhere. 

I pictured myself selling all my stuff in Boulder and moving to Bali to live among the Salak.

How hard would that really be? I thought. I realized it wouldn’t be hard at all. And even factoring a few yearly flights home to visit friends, plus some carbon offsetting for the flights, it would be much cheaper to live here than to live in the USA. And I would be free of all the demands of the American Dream and it’s fake promise of happiness based on consumption.

In general, the people in Bali seem happy to me. There are no guns. There’s little violence or competition. The relative harmony stands in stark contrast to my “American dream” back home, where Trump had just been elected. 

I wrote Run Away in a little bungalo among the Salak at the Salacca Inn. It’s a song that rejects the narrative and the definition of success embodied in the idea of the american dream. It rejects the role of “consumer” that we’re told to take on, and tells us to run away physically or at least mentally from all the forces acting on us for someone else’s benefit. 

In writing the song I saw how success, consumerism, and the american dream are reiterated over and over again in our pop culture, our advertising, and our for-profit storytelling (blockbuster movies and TV shows), all forces that see me as their revenue source, to be coerced into behaviors that will help them hit their quarterly earnings targets. 

I saw again how corporatized and commoditized we are in the West. We accept that the most powerful entities in our society (large corporations and political parties) seek monetary gain and domination over everything else. We accept the endless consumption of resources to serve a bottomless hunger for growth that is leading us off a cliff. 

And in the process we forget our humanity. In my opinion this consumerist version of the american dream moves each of us away from finding sustainable happiness and fulfillment. 

The villagers in Bali seemed happier than the bankers in NYC I used to ride beside on the subway. They seemed happier than the Boulderites in my neighbofrhood back home. They seemed happier than nearly anybody in America. 

And so I decided I want to be more like them. I want to escape the american dream. I don’t want to be anybody’s commodity. I don’t want to buy anybody else’s definition of happiness, or try to achieve it by buying their products. 

I wrote Run Away to remind me whenever I need a reminder, that I am a free man as long as I decide what fulfillment looks like for me, and orient my life around that instead of keeping up with the Jones’

Because I don’t want to, 

fall into, 

someone else’s plan for me

No it’s only 

my plan, 

for me. 

I hope you like Run Away. Step out of our culture’s plan for you, take a moment to feel into what real satisfaction might look like for you, and make moves to create your own wild and crazy path towards fulfillment. I got your back. ❤️

 


New Release - Commit To Love

William Sage - Commit To Love Album Art

I’m proud to be releasing Commit To Love today.

Listen on Apple Music, Spotify, Deezer, iTunes, Bandcamp

This is a song that’s close to my heart: It was inspired by something rather mundane, but ended up sharpening my understanding of commitment and love.

The message of this song remains profound and alive for me even years later.

Here’s the story:

When I ran off to Bali at the beginning of 2016, I spent the first few months in the north of the island -driving my motorbike around the coast, and staying in little towns as I snaked my way to Ubud (the spiritual center of Bali, in the center of the island).

Upon arrival in Ubud, I started looking for more permanent digs. My plan was to stay there for a few months, to write and explore.

I toured a number of little guest houses but found it hard to decide where to live. At the time it felt like a big decision, a big commitment. I knew my choice of home would significantly color my time in Ubud.

I had my criteria, but nothing seemed to match them exactly.

Eventually I met Nyoman, who owned a tract of land North of Ubud with a couple little guest houses he had built.

I toured one of the houses, decided I liked the relative quiet and the view, and decided I had found my home. I shook Nyoman’s hand and he handed me the keys.

After I had secured my home, Nyoman left and I sat on my porch. I started to notice things I hadn’t seen before:

As I sat on my steps and looked out over the rice field in front of my new home, the whole scene seemed to come alive with a richness of life that had been invisible to me just a few minutes earlier.

I realized there was a papaya tree just outside my front door absolutely laden with papayas. I discovered dragonflies (my spirit animal) flitting around in the air. My ears picked up the singing of the birds.

I realized that it was the act of committing to this home that had opened up this experience for me.

In the moment of commitment, this place had become my home. I was now stuck with it for better or for worse. And this new deeper relationship made it possible for me to notice and appreciate everything I had previously missed.

The commitment had created an unexpected richness that I was now bathing in.

I pulled out Giselle (my faithful Guitalele who I met in a surf shop in Uluwatu) and started singing:

When you commit to something, it opens up.

As I reflected on the richness that follows commitment, I saw it at work elsewhere in my life. In my relationship to things, to experiences, to Kati, and even to myself.

I saw that commitment has a magic to it. I saw that (paradoxically) in commitment, more becomes possible.

When you commit to someone, they open up.

I saw that commitment has an understated yet unmistakeable power. A power that it’s easy to forget or overlook because it’s mostly invisible. We can’t see commitment, we can only experience it’s rewards.

I reflected on how I’d changed since Kati agreed to marry me:

When I committed to you, you opened up my heart.

I reflected on how my life had changed since I decided to honor myself and follow my truth:

When I committed to me, I opened up inside.

And I saw that commitment and love are intimately related. A commitment is an act of love. It’s an agreement to honor, to appreciate, to fight for.

A commitment to love is for me a commitment to be true to myself, to honor others, and to rely on love to show me the next step, even when I feel stuck, or lonely, or lost.

and that’s why… 
I commit to love, I commit to love       
I commit to love and open up to love, 
I commit to love
 

And that’s why writing this song opened up a spiritual connection for me: It unveiled a compass I can use to orient myself to the world.

I was in Bali because a little voice inside me told me to go. It wasn’t easy to disentangle my commitments in Boulder and clear 3 months on my calendar, but the little voice kept calling me to take some time for me.

And I’m grateful I listened. In Bali I uncovered unconscious ways of being that had run me my whole life. I uncovered my musical abilities, and forged a deeper connection with myself. All of this occurred to me as gold, and it was my commitment to my own development (ie. my commitment to loving myself) that made it possible to find this gold.

It was a leap, but a leap that gave me a freedom to be myself that I wouldn’t trade for anything.

When the trail meets a cliff and you can’t go forward,
Sometimes you’ve gotta jump, plunge into the deep blue water.
Cause life feels better, and it tastes sweeter and
You can feel it. And you can
Commit to love.

As I wrote this song. Kati had just entered love addiction recovery back in Boulder. We had decided not to speak for a month and I didn’t really know what was going on with her.

Things were about to get tumultuous between us, and our commitments were about to be tested.

I hope you enjoy Commit To Love 💜

New Release - Absolve Me

Absolve Me by William Sage Album Art

Today I’m releasing Absolve Me, a song I wrote while in mourning and transition in 2016 (Listen on Apple Music, iTunes, Spotify, Deezer, Bandcamp, Soundcloud.

The transition was my departure from Kindara, the women’s health company I founded and ran from 2009 - 2016.

I started Kindara because I had a beautiful experience learning fertility charting with Kati, and I wanted to give that same experience to other women and men through technology. I wanted to make the world a better place for women and their partners.

And like so many people on a mission, I think there was also a dark tinge to my obsessional devotion to make Kindara successful: at some level I was also trying to redeem myself from childhood wounds and low self esteem.

So for these reasons and more, my departure from Kindara was not smooth. Lots of people made mistakes (including some massive ones by me) and relationships among the team and board broke down.

My beautiful vision became a nightmare of in-fighting and finger pointing.

People wanted me out and in an attempt to keep Kindara healthy, I decided to step away. We hired a new CEO and I went to Bali.

The feeling for me was as if I had accidentally hurt my child who was now in hospital, but I wasn’t allowed to visit. My heart hurt every day. I felt confused, despondent and angry, with a faint hope mixed in from time to time.

The fate of my dream was uncertain, and it seemed like I needed to let go of blaming myself for what happened.

So I wrote Absolve Me. I remember screaming the chorus into the studio microphone in Bali. The session was cathartic. I remember feeling the guilt and blame I was carrying melt away.

I recorded the guitalele solo back here in Boulder in 2018 shortly after Kindara sold. I was crying as I played it: The sale was bittersweet and I guess there was more emotion that wanted to come out.

The process of absolving myself for mistakes I made in the past has been a healing one.

Now that I’ve mostly forgiven myself for the mistakes I made at Kindara. I feel wiser, more resilient, and more myself.

I’m reminded of the quote “Good judgement comes from experience. And experience come from bad judgement.”

If you have something you want or need to let go of, I hope this song helps.

Click here to listen to Absolve Me on Spotify, Apple, Bandcamp or Soundcloud



New Release - One Whole Two Parts

I wrote a few months ago about one of my experiences with ethical non-monogamy.

Today I’m releasing One Whole Two Parts, a song that continues that story.

I wrote One Whole Two Parts one evening when I was home alone. Kati was with her other lover, and we had just had a beautiful day together.

I was simultaneously missing her, and happy for her.

She seemed lit up about her new relationship (in poly circles people call this New Relationship Energy) and I was benefitting from that energy too.

And I liked seeing her happy. Even though it was uncomfortable to say goodbye to her as she headed down to Denver, I liked prioritizing her happiness over my discomfort (and as I wrote before I felt the discomfort was teaching me valuable lessons)

So as I lay there in our bed alone, I felt the bond between us, between my heart and her heart.

I felt into my heart and saw that our relationship wasn’t being diminished by her connection with her other lover. In fact it felt to me as if our bond was being strengthened as a result of the adventure we were on together into polyamory.

And so I wrote One Whole Two Parts as an expression of this idea. The idea that my partners happiness is my happiness, and the idea that I can prioritize my partners happiness and development as a way to strengthen myself and the bond, or heart, that is us.

Even though our two hearts
Are separated by miles of dark highway,
They’re still one whole in two parts

The image of the dark highway inspired the instrumentation on this track. I hope you like it 💙

(Note: to see the chords and lyrics to this song, click here)

One Whole Two Parts by William Sage - Chords and Lyrics

One Whole Two Parts Album Art 2.png

Note click here to see the music video

Chords: Am - G - Am - G - Am - G - F - G (all the way through)

Verse 1:

Baby I’m alone tonight, 

But I know that you’re alright, 

Because your sleeping with Mike tonight

Mike is stronger than me

He writes you sweet love poetry

So different in so many ways I can’t compete

Like a bird I set you free

Hoping you’ll come back to me

One or two times a week


Chorus:

Even though our two hearts

Are separated by miles of dark highway

They’re still one whole in two parts

One whole in two parts, One whole in two parts

One whole in two parts, One whole in two parts


Verse 2

And that’s why your joy is mine

As you’re having a delicious time

You’ll be sending out love down the line

Like a bird I set you free

Hoping you’ll come back to me

One or two times a week


Chorus 2

Even though our two hearts

Are separated by miles of dark highway

They’re still one whole in two parts

One whole in two parts, One whole in two parts

One whole in two parts, One whole in two parts

Am - G - Am - G - Am - G - F - G

To read the story of this song click here

To see the music video click here


New Release - Push & Pull


Today I’m releasing Push & Pull, a love song about attachment theory. Listen on Spotify or Soundcloud or Apple Music.

Here’s the story of this track:

Sometimes I read a book and it seems like the author lives inside my head.

Reading “Attached” was one such experience.

Attached is about attachment theory - A field of study that concerns itself with how people behave in romantic and intimate relationships.

Specifically it deals with different patterns of attachment between parents and their children, and how these patterns of attachment tend to play out later in our romantic relationships.

I was fascinated by this book. It explained so much about how I tend to be in romantic relationships, and it explained the prevailing dynamic between Kati and I over the first 5 years of our relationship.

Attachment theory defines a few flavors of attachment: Avoidant, Anxious and Secure.

Avoidant people tend to want more space in relationship. They tend to feel smothered, and try to move away from their partner. (Often but not always this is due to early childhood enmeshment by their opposite sex parent if they are heterosexual, or the same sex parent if they are homosexual).

If you had an opposite sex parent who was in your business as a kid, it’s more likely you’ll end up avoidant in relationship later in life.

Conversely, Anxious people tend to want more closeness in relationship. They tend to feel abandoned and try to move closer to their partner. (Often this is due to early childhood abandonment by the opposite sex parent if heterosexual or same sex parent if homosexual)

If you had an opposite sex parent who was never around as a kid, it’s more likely you’ll end up anxious in relationship later in life.

And the last attachment flavor is Secure. Secure people tend to be able to withstand both closeness and distance. This of course is the healthy flavor of attachment. And Levine and Heller say about 50% of the population are secure.

And for those of us who identify as more anxious or avoidant, the way to become secure (according to the book) is to i) be available for your partner, ii) don’t interfere (ie. smother) your partner, and iii) support and encourage your partner.

Secure sounds nice, but in reading the book I definitely identified more with the avoidant attachment style. And Kati identified with the anxious attachment style.

I was surprised to read that avoidant and anxious people tend to gravitate towards each other, as a way to endlessly relive (in the worst case) or heal (in the best case) their childhood attachment injuries.

There’s even a diagram in the book that shows the drama circle that anxious and avoidant couples go around over and over again if they don’t become secure. I read Attached in 2016 and the book perfectly described Kati and my dynamic at that time.

Anyway, reading this book helped me to see that my avoidant tendencies weren’t actually part of ME, they were a result of my experiences growing up. And I saw how destructive they were in my life.

After I finished Attached I vowed to myself to become secure, and that kicked off a multi-year quest that continues to this day.

Push & Pull is a song I wrote for Kati before I left for Bali in 2016. I wanted to bring some peace and hope to our relationship by identifying our avoidant-anxious dynamic, and painting a picture of what it would be like on the other side if we were both able to become secure.

(Actually, Levine and Heller say only ONE partner needs to be secure to stamp out the drama cycle and I found that encouraging!)

So Push & Pull is a song about attachment theory. It’s a song about Kati and my relationship. And it’s a song about my relationship to relationships, and my desire to change.

And I imagine it’s a song that will resonate in any relationships where one person tends to feel more avoidant and one person tends to feel more anxious.

And at a deeper level it’s a song about preserving and honoring love. If avoidant people can heal themselves and enjoy closeness, and anxious people can heal themselves and enjoy distance, love has a greater chance to flourish.

I hope you like Push & Pull ❤️

P.S. Check out the awesome album art by Kati (@astraltranscription):

Push & Pull Album Art.jpg

Song Credits:

Written, Performed and Produced by William Sage at Red Robin Studios (Boulder) & Soma Sound Studio (Bali). Engineer & Mixing Engineer: Stef Soma.

Note: You can find the chords and lyrics to this song here.

Push & Pull by William Sage - Chords and Lyrics

Thanks to @astraltranscription for this amazing album art. Made specifically for this song.

Thanks to @astraltranscription for this amazing album art. Made specifically for this song.

Note: you can read the story of this song here.

Verse 1

C        G        F                                C        G        F
I used to push you away,              Push and push every day
Am            F                                     Am            F
It was the air that I breathed,         too scared to have you see

G        Dm        F        C
How much, just how much you meant, to me.

Verse 2

C        G        F        C        G        F
It used to be when you’d pull             It’d be intolerable
Am            F        Am            F
And I’d push to keep some space, Trying to feel safe
G        Dm        F        C
It was the dance, yeah the dance, of our love

Chorus

Am        F        Am        F        G
But if I keep pushing you, Like I pushed the other few I’ll end up old and alone
Am        F        Am        F        G
And if you keep pulling me So hard, the door’s all I can see I’ll end up old and alone
Dm        G        Am        F        G
Better to open up my heart, Let you in and make another start, so I don’t end up old and alone
Dm        G        Am        F        G
Cause to truly love you my dear I’ll pull you close and stay right here Sublimate my fear into love
Dm    F        G        C
Cause anything else, would be a crime, Against our love

Verse 3

And once I stopped with the push, You stopped with the pull. And now we’re right where we are, Connected by the heart. I want to be, your forever, sweetheart

Chorus 2

I’m done pushing you, like I pushed the other few, let’s grow old you’re my home
And if you stop pulling me, I’ll shut the door and never leave. Let’s grow old, I’m your home
It’s better living with an open heart, we can always make another start, let’s grow old, you’re my home
Cause to truly love you my dear I’ll pull you close and stay right here Sublimate my fear into love
Cause anything else, would be a crime, Against our love

Final Verse

I’ll show you all of me, sweet parts only you have seen. Give you the keys to my heart, tell you what I need. Love and build, from now till we’re 150

New Release - Depth - An Album To Journey To

Depth by William Sage and Bjorn Leonards

Hi Friends,

One night last October my friend Bjorn came over to jam in my studio. I was in an emotional place, feeling generally disconnected from humanity and from myself. Bjorn seemed in a similar state.

We talked a bit, set up some mics, hit record and started to play.

What happened next was a bit of magic. As we started to improvise and converse, the music seemed to flow out of us. I felt Bjorn, and I think he felt me. We consoled each other, supported each other, held each other, all without words as 4 songs came into being in the moment.

We conversed for about an hour and then Bjorn had to go home so I stopped the recording, gave him a hug and walked him out. Though we didn’t say much to each other, I felt healed somehow.

When I got back to my studio to shut things down I listened to what we had recorded and was delighted. The emotion and connection that I had felt as we played had been captured in the recording.

I did some quick editing and sent the tracks to Bjorn to listen to. He loved them too so we decided to release them as an EP.

We decided to call the EP Depth to capture the feeling of going “in and down” that we both felt during the session.

The 4 tracks on Depth were improvised in the moment. They were born out of our presence and mutual desire to heal and support each other on October 3rd 2018.

Kati and I have been listening and enjoying Depth for the past few months when studying, meditating or journeying.

This music is healing for me and I hope it is for you too.

Would love to hear about your experience listening to this EP

Listen to Depth on:

Spotify

iTunes

Apple Music

Amazon

Deezer

Tidal

New Release - You Love The Hardest

Hi Friends,

Today I’m announcing the release of You Love The Hardest - a sweet love song with a dark tinge*

(*All will be revealed later as I tell the story of this album).

What I will reveal here is that I wrote You Love The Hardest while my partner Kati was simultaneously in a romantic relationship with me and another man. Read on to learn more.

A few weeks ago I told the story of Forever - a song I wrote half in Boulder and half in Bali.

The next three songs are prequels to Forever. They tell the story of the 12 months leading up to my decision to go on solo retreat to the other side of the world.

The first of these three prequels is You Love The Hardest. It’s a love song about the transformation I experienced (and continue to experience) under the (sometimes blinding) light of Kati’s love.

Here’s the story:

We met him at a party in 2015 and instantly became friends. Kati and him connected over art and became closer that spring. He was smart, funny, respectful and I liked that Kati had found a new friend.

We had been practicing ethical non-monogamy for a few years at that point, so while I didn’t expect it, I was open to their friendship developing into something more.

That winter I went away on a ski trip and got a text from Kati that her and her friend had gone to a party together and ended up hooking up.

As I usually felt when I (infrequently) got this type of text message, I experienced a mix of emotions: happiness and excitement for her (called compersion in the poly community) mixed with the usual worry, jealousy and insecurity.

I texted her back and thanked her for letting me know.

Little did I know that this was the start of a massive unfolding that would lead to profound internal transformation for us both...

Over the next few months, Kati and our friend “fell in love”.

(Note: I say “fell in love” knowing full well that this phrase needs serious unpacking in our culture.

The best book I’ve read on this is Getting The Love You Want - spoiler: “falling in love” is largely a chemical/hormonal process that generally lasts 6-18 months, and is followed by other stages of romance and partnership)

Anyway, this was intense for me and my heart. It wasn’t the first time Kati had connected with another man (there was another similar situation a few years earlier with a man who lived in a different city - but that only lasted a few months).

But this time was harder because the other guy was local, and the energy seemed more fiery and intense.

And this time we had done our homework: reading The Ethical Slut, Opening Up, and the absolutely beautiful (and highly recommended) More Than Two.

This time we had a model for what to do and how to make it work.

As a result I felt simultaneously happy for Kati (who seemed to be absolutely lit up by the abundance of love and male attention in her life) and threatened by her new connection.

I shared my insecurity with Kati and she did an amazing job of holding my feelings and reassuring me that she wasn’t going to leave me for this new guy, and that she wanted to stay married to me.

I remember those reassurances (which I asked for many times) being super important to me at the time. Over many months they were my lifeboat on my personal sea of insecurity and worry.

So with my reassurances in hand I did my best to embrace the situation. Ethical non-monogamy is something that made sense to me as a boy and still makes sense to me today.  And this seemed to be my opportunity to experience what it was like to be in love with somebody, who is also in a relationship with somebody else.

I embraced my happiness for Kati and I also embraced the feelings that didn’t feel good: insecurity, jealousy, worry.

And I embraced the uncertainty of it all. After all, we didn’t know what was going to happen. Would Kati’s new feelings last for a few months or for the rest of our lives?

I looked at it like this: My beloved seemed happy and I had two options, I could get jealous and prioritize my insecurity over her happiness, or I could celebrate her happiness and process my insecurity.

I decided to prioritize her happiness and sit with my insecurity in the hopes that it would be a fruitful experience.  

I remember needing to constantly remind myself that I could muster enough self-love and self reassurance to do this. That Kati seemingly falling in love with someone else didn’t mean anything about me. That she wasn’t going to leave me, that she still loved me, and that I still loved me.

It was exciting and unsettling. There was a feeling that we were playing with fire and I wanted to see if we were skilled enough to avoid getting burned.

When Kati and her friend would go on dates, go away for the weekend together, or chat over FaceTime, I felt a lot of feelings.

The main feeling I remember was a pain in my heart. Was it heartbreak? I’m not sure.

It actually felt like my heart was growing.

It was a bizarre sensation. It was as if my heart needed to be bigger for me to handle this situation, bigger than the space it already occupied in my chest.

I’d describe the sensation as a feeling of “opening”, “expanding”, “ripping”, “bulging” or “unfurling”. Like what the chrysalis must feel when something new starts to emerge.

It definitely didn’t feel good (more like there was a sword through my heart from the back), but it also wasn’t all bad. It felt like something was recombobulating or reformulating in a bigger stronger configuration.

Was it armoring? Was it opening? It felt more like the latter.  

I’ll never forget that feeling. It was unexpected and profound. Stretched over a number of months, it was one of the most intense experiences of my life so far.  

At some point I realized that my heart had to get bigger in order for me to handle the situation I was in. I needed more self love than I had at the time.

I had to love myself so hard through this process. I was forced to deal with the parts of my identity that relied on my relationship with Kati to feel good about myself.  I was forced to deal with what felt like abandonment fears from early childhood.

It wasn’t easy but ultimately over a handful of months, out of sheer necessity, I found a new bedrock of self-love that I had never before been in contact with.

This experience forced me to forge a deeper relationship with myself. I had my own back in a new and deeper way.

I ultimately found that facing my fears and deepening into a new level of self love was the gift of this experience.

Maybe that’s why my heart felt like it was growing.

So back to this song:

That spring Kati and I attended a camp-out in the mountains with some friends. We had a beautiful night together. I felt deeply connected with her. We laughed and danced and stayed up all night. We made love sweetly in our tent as the sun rose, staring into each other eyes.

That night I felt Kati’s love fully focussed on me: supporting me, lifting me up, celebrating me.

From my perspective, she was in love with someone else, and she was clearly in love with me. That night, I felt her love calling me into a deeper level of love with myself, calling on me to grow so that we could grow.

A few hours later I climbed out of the tent in the early morning light. I clambered up on a rock overlooking the valley and wrote “You Love The Hardest”. It’s an ode to the power of love to transform us in unexpected ways.

I hope you like it.

P.S. In case you are wondering what happened next, it’s a long story that I’ll tell as I release the tracks from this album. Next one coming in a couple weeks.

You Love The Hardest William Sage Album Art

Click below to listen to Forever on your favorite music service (and please subscribe as it helps more people hear my music and you’ll be notified when the next track comes out):

Spotify

iTunes

Apple Music

Google Play

Soundcloud

Amazon

Deezer

Tidal

Bandcamp

If you’d like to learn You Love The Hardest and play it for your sweetheart, here’s the chords and lyrics

Thanks for reading - The next track and the next chapter in this story are coming in a couple weeks.

Song Credits:

Written, Performed and Produced by William Sage at Red Robin Studios (Boulder) & Soma Sound Studio (Bali). Engineer & Mixing Engineer: Stef Soma.










You Love The Hardest by William Sage - Chords & Lyrics

Note: To read the story of this song, click here.

Capo on the 5th fret

<Intro> E        F#        A        E        E        F#        A        E

Verse 1

E        F#        A        E        E        F#        A        E

I’m so high on your love. Lucky guys can’t get enough

Softness washes over my reality, Kindness kisses my heart when you’re with me, because


Chorus

C#m            A            E                C#m        A        B

You love the hardest.  You love the hardest, I’ve ever known

Verse 2

E        F#        A        E        E        F#        A        E

Your soft light, I drink it in. Gives me the power to begin

I’m the earth, the sea, and the sky, You’re the sun, washing over this guy, because

Chorus

C#m            A            E                C#m        A        B

You love the hardest.                 You love the hardest, I’ve ever known


<Interlude> 

E        F#        A        E        E        F#        A        E

C#m            A            E                C#m        A        B

Verse 3

E        F#        A        E        E        F#        A        E

You showed me a new world, shining from within. Now I can fly, you broke me open

I’ll follow you into the dark, when we are gone, I’ll find you like before, you are the one, because


Chorus

C#m            A            E                C#m        A        B

You love the hardest,                 You love the hardest. because...

You love the hardest,                 You love the hardest, hardest I’ll ever know

Note: To read the story of this song, click here.

Song Credits:

Written, Performed and Produced by William Sage at Red Robin Studios (Boulder) & Soma Sound Studio (Bali). Engineer & Mixing Engineer: Stef Soma.

New Release: Forever - A (Timely) Love Song

Hi Friends,

Today I’m releasing Forever. The first single off my forthcoming album “You & Me”.

Here’s the story of this song:

In December 2016 I decided to buy a one-way ticket and go on solo retreat to Bali. I was feeling stuck in Boulder and wanted to be alone; get some perspective on my life.

Though I had been internally planning the trip for months, I sort of sprung the details, including my departure date, on Kati one afternoon as I was leaving the house.

(Note to men in relationships: This is not a good idea. Don’t do this.)

She was heartbroken. She seemed to take it personally and was worried that I might never come back. We had lots of heated discussions about it.

(Looking back this was the beginning of a huge shift in how we both understood and behaved in relationship. I’ll tell that story as I release the next few songs from this album).

Given the turmoil, I wanted to give something to Kati to help her feel, deep in her bones, that I was devoted to her and devoted to our love.

I was going to be on the other side of the world for a while, so I wanted her to have a song to listen to that would help her feel secure and soothed. I wanted her to know that she’s my beloved on a macro level: a level bigger than just a few months apart. I wanted her to know she’s my beloved on the scale of my entire life. I wanted her to feel the deep permanency of my love.

With that intention I wrote the first few verses of Forever.

As I got deeper into the song, my departure date for Bali arrived. And I flew away from Kati to a far off land.

A week or so later I arrived at my secluded bungalow on the North shore of Bali. I started working on Forever again.

Now separated from Kati, the song took on a wistful quality as I played with the concept of forever. I realized that forever is an illusion. It sounds like a long time, but in reality there is no forever in human affairs. Things are constantly changing - sometimes suddenly due to forces outside our control. And we all die.

It sunk in for me that Kati and I don’t have forever, we only have (at most) her forever or my forever. And neither of us knows how long that will be.

And what is her forever or my forever but a collection of fleeting, unique and precious moments together. A series of ‘right nows’, once gone, gone forever.

And so this song has become for me a duality: It’s a love song that speaks to my desire for a long and happy life with Kati, but even more so it’s a sweet battle cry to cherish and savor each and every precious moment I get with my beloved.

It’s my reminder that life is short: Too short to squabble or fight, too short to try to be right, to short to take for granted.

This lesson is even more real given that the last two years didn’t go as smoothly as I thought they would when I flew to Bali. Kati and I ended up separated and things got messy.

I’ll tell that story as I release more tracks.

But today we’re back living together and celebrating a year back together. And I’m feeling excited and happy to be releasing Forever. It’s a reminder to bring my love to the moments I have with Kati, because I actually can’t know when our forever will end.

I love you sweetheart.

I hope you like this song, and I hope someone out there plays it for their sweetheart and tells me about it. That would make my day.

(Also thank you Kati - aka @astraltranscription - for being my muse, and for creating the jaw dropping art that made this album art and music video possible).

William Sage - Forever Album Art.jpg

Click below to listen to Forever on your favorite music service (and please subscribe as it helps more people hear my music and you’ll be notified when the next track comes out):

Spotify

iTunes

Apple Music

Google Play

Soundcloud

Amazon

Deezer

Tidal

Bandcamp

If you’d like to learn Forever and play it for your sweetheart, here’s the chords and lyrics

Thanks for reading! The next track and the next chapter in this story are coming in a couple weeks.

Forever by William Sage - Chords & Lyrics

Forever by William Sage. Released Dec 2018 by Fulcrum Music. All Right Reserved.

To read the story of this song click here.

Capo 5th fret

A C#m

I want to love you forever, stay together

D E A

for the next 100 years

A F#m

I want to know what you’re feeling, see what you believe in

D E A

And be there for all of your tears

C#m D E A

Yeah I want to know you babe. Hold you till the day I die

F#m Bm C#m D A

Let’s laugh every day, till the lines form by our eyes

A C#m D E A

Forever, just my forever babe, it’s all that I have to give

F#m Bm C#m D A

Not Forever, just your forever babe, let’s love as long as we live

If I could take all our decades, stretch them sideways,

Fight against the march of time

You know babe I’d do it, I’ll fight to get through it

For you, I’ll fight through it all

Let’s grow old babe, but stay young at heart

When we’re old and grey you’ll still be my sweetheart

Forever, just my forever babe, It's all that I have to give

Not Forever, just your forever babe, let's love each moment we live

<interlude>

Wanna see you so deeply, please reveal me

our insides we’ll roll in a ball

my secrets I’ll tell you, put me under a spell you

are the one that lights up my soul

Yeah I want to see you babe. See you all the way through

The more of your inner shine I see the more I love you.

Forever, just my forever babe, It's all that I have to give

Not forever, just your forever babe, let's love each moment we live

<interlude>

If I could take all our years dear, line 'em up here

take the ends in my hands

I'd take those two ends dear, and stitch them together

so at the end our forever could start again

yeah I'd take those two ends dear, and stitch them together

so at the end our forever could start again ♡

Song Credits:

Written, Performed and Produced by William Sage at Red Robin Studios (Boulder) & Soma Sound Studio (Bali). Engineer & Mixing Engineer: Stef Soma.